LATEST MUSIC !

Welcome to the OFFICIAL
SMIRKY WATERS Experiment!
(The Ultimate Remote Controlled Band)

"I started The SMIRKY WATERS Band as an incubator.
A Blues, Soul-Jazz-Fusion, Prog Rock, Funk & Feelgood Social Club so to speak.
To attract musicians with no egos, lots of enthusiasm and a pioneering spirit.
Pioneering, in a sense that every musician works REMOTELY and sends me their track.
I first create a percussion track and send it to a musician, like a Bass player.
I mix it together and then we decide who the next player should be.
A guitarist, then a singer, then maybe a harmonica, a horn?
Each piece 'evolves' and takes on it's own life.
I believe a good song is poetry.
It's not about the words - it's the order you put them in!
Also, original songs are shaped by the order you put the musicians in.
I look for a variety of talents and different combinations
for each piece created. Then we improvise and innovate
and as Composers we all create some history together.

I love writing, drumming, improvising, collaborating, mixing and producing.
Music and videos, it's all my ... occupassion! ™©
"

- Paul L Clark

Interested in collaborating on upcoming projects?
Email me

Paul L Clark sitting in restaurantPaul L Clark pointing at YOU!Paul L Clark studio drummingPaul L Clark hand drumming


For those who can take a big drink of this...
I want to hear from you!

The SMIRKY WATERS approach becomes a launch pad for improvisation, turning each musical collaborator into a composer.
When a musician is able to enter into that unknown (and not all can), all of their practice takes over and the structure that held it together disappears into listening and feeling.
In that listening and feeling there is nothing but Being, and in that Being the musician melds into one consciousness to create great music.

This is the concept of emergence*.
The SMIRKY WATERS Band is, one could say, tuned into a frequency - or a possibility - in the Quantum or Unified Field**.

"No matter what type of artist you speak to, whether it’s a musician, a writer, a painter, or even an athlete, it is this state of Being that they would all agree they are trying to achieve - that moment when everything fades away and their art simply flows through them.
In the example of improvisation, in the connected field when say five musician’s minds become one, they are not stressing about hitting the right note or what they will be doing after playing.
In this state, no past, no future, and no personality exist. The music is providing instant feedback and that feedback is what opens doors to trust the next moment."

- Dr Joe Dispenza (neuroscientist)

This is what playing with the SMIRKY WATERS Band demonstrates.
The moments of coherence, where we tune our minds to be an instrument through which we download possibilities for any given composition.

When we enter into a space of open focus and charge it with emotion, we are playing our part of a song that's just waiting to be played.
And when we surrender into a state of awareness, we are moving into the improvisational unknown. This is the place from where all creation comes from - when we step outside of our familiar state of mind and trust in the unknown.


The loss of humanity in current music.
No evidence of human life!

I have this talk with every person that I invite to collaborate on with every SMIRKY WATERS BAND composition.
I ask them to pulleeze do not 'clean up' their tracks before sending them to me.
I need to hear the natural finger slides, the intake breaths and all of the other human nuances that go into their creations.
It's an opportunity for the listener to consciously and/or unconsciously know that a human produced such marvelous, wonder-us compositions.

For me it goes much deeper than simply honouring the efforts of a musician.
It's about the healing effects of sounds and frequencies combined with their connection to Being...and in turn, other human beings.

Wow, listen to me go. But hey, I also consider music my church.
From Brian Eno: "Honor your mistakes as a hidden intention." (the advice is similar to what Miles Davis gave to Herbie Hancock, "There are no mistakes, just chances to improvise.")
Brian says the net effect of correcting every perceived mistake is to, "homogenize the whole song till every bar sounds the same...until there's no evidence of human life at all in there."


*Emergence:
In philosophy, systems theory, science, and art, emergence occurs when an entity is observed to have properties its parts do not have on their own.
These properties or behaviors emerge only when the parts interact in a wider whole. ... In philosophy, theories that emphasize emergent properties have been called emergentism.
In describing collective behaviors, emergence refers to how collective properties arise from the properties of parts, how behavior at a larger scale arises from the detailed structure, behavior and relationships at a finer scale.

**Unified Field:
Hagelin argued that consciousness is a fundamental property of the natural world, and that TM practitioners can experience a state of consciousness "in which the observer, the process of observation, and the observed are unified". This, he argued, is the experience of the unified field of physics.



The SMIRKY WATERS Name

A few years back I was asked to sit in on some studio session work.
To warm up the room I took everyone on a little subliminal expedition from the Blues, jumped
into a little Jazz and frolicked into a sprinkling of Funk and Feelgood non-stop.
It was quite magical and most important to me, a lot of FUN!
Everyone said they enjoyed being taken into some pretty cool murky musical waters,
genres they always thought they didn't like. It was unanimous.
For a laugh I told them they could call me Murky Waters. Another musician noticed the smirk
on my face. Always looking to put a twinkle in someone's eye I added
that for the night they should now call me Smirky Waters...but with an 'i'.
A few weeks later when another studio called me to sit in on a session,
they insisted on talking to "Smirky Waters". The word was out.
Now THAT made ME laugh!

The Smirky Waters Experience
That day, a whole new set of musicians jokingly asked if they could play as The SMIRKY WATERS Band.
That night, a couple of them left and a few new ones joined us. Now they asked if we were still The SMIRKY WATERS Band.
It gave me the idea that no matter who I was playing with on any particular song, we would be called
ya, you got it, The Smirky Waters Band! A really cool Musical Social Club.

Loud meant good!

As a young musician, LOUD meant GOOD. Over 40 years this blatently proved not to be the case.
I have learned that you have to actually play music to be taken seriously as a musician.
And good music creates a mood that invokes emotion. Sometimes peppy, sometimes mellow, thoughtful, playful.
That's how I look at genres - as MOODS.
In the studio I ask, what MOOD are we in and we play with that.
When a good musician or band harnesses the frequency of a particular mood you can feel it.
It's healing. And as we all know, moods change.
So sometimes we're blue, sometimes we're jazz, sometimes we're funky. Sometimes whacky, sometimes serious.
We respect and appreciate them all... you know, depending on the mood.

Oh, the Recording!

To tell a good story is poetry.
But to present it appropriately is the key. That's in the recording.
With over 35 years of award-winning experience in TV, Commercials, Film & Video,
I have seen the positive energy and frequency of sound and music.
One cool thing I have come across is Binaural Recording.

What is Binaural Recording?

In simplified terms:
Binaural Recording is a method of recording a sound
that uses two mircophones, arranged with the intent to create
a 3-D stereo sound sensation for the listener of actually
being in the room with the performers or instruments.
(or outside, depending on what's being recorded)

It isn't just stereo sound being pushed at you from two sides.
It duplicates the way sound is received by the human ears.
It has the effect of putting sound in the very centre of your head.
And our friend Michael Hoepfner is an expert at this.

Listen to our Faery Dance video (below) WITH HEADPHONES
and you will understand how powerful 'binaural' is.
To avoid being a spoiler, all I'll say is that the majority of listeners
have reported taking their headphones off mid-song to look outside.
Ya, it's that real!

Formula


Paul L Clark

Lyricist, Percussionist, Producer, Perception Shifter

MOOD compass

Blues? Jazz? Funk? Experimental?

Collaboration

With any number of curious musicians

Make Some Music!

You work on ours. We work on yours. Create some history!

Our Music

The Smirky Waters Band: Original Musical Adventures & Experiments.
Here are some comments and observations from our collaborators.
Jump down to hear our music.
HEADPHONES highly recommended!


Comment from James D Seaborn
Collaborator, Composer, Guitatist, Vocals:

James Seaborn photo 1James Seaborn photo 2James Seaborn photo 3James Seaborn photo 4

"The way we create? I would call it evolutionary music. Every life force that touches it causes an evolutionary change. Therefore growth. Living music so to speak. May our little eccentric microcosm of unique talents be an example to the macrocosm that is humanity as a whole!"
- James D Seaborn (various compositions)


Comment from Kenny DesChamp
Collaborator, Composer, Lyrisist, Vocals/Mix:

Kenny DesChamp photo 1Kenny DesChamp photo 2Kenny DesChamp photo 3Kenny DesChamp photo 4

"The Smirky Waters approach to composition and recording allowed me the freedom to utilize the creative process that I am most comfortable with. This collaborative experience provided an opportunity for experimentation and curiosity that had been missing in my musical career for many years. I'm very grateful to have been a part of this project!"
- Kenny DesChamp (Step Five)


Comment from Al Perry
Collaborator, Composer, Bass & Drummer:

Al Perry photo 1Al Perry photo 2Al Perry photo 3Al Perry photo 4

"Nice."
- Al Perry (Step Five)


Comment from Al Black
Collaborator, Composer, Harmonica & Drummer:

Al Black photoAl Black on drums photoAl Black in rapture black & white photoAl Black on stage

"This was a musical side road I've never been on before. A little mystery and playfulness in this sound experiment."
- Al Black (Some Go Down)


Comment from George Bertok
Collaborator, Composer, Mellotron & Bass Guitar.
(George has recorded with KLAATU)

George Bertok photo screamingGeorge Bertok photo with Guitargeorge Bertok photo with Mellowtrongeorge Bertok photo at Keyboard: courtesy wayne O'Connor

"I believe in the spirit of improvisation because it is an honest form of expression, akin to a knee-jerk reaction to any situation, which is usually the truth. All of my 'compositions' as Bertokia, though somewhat structured, are born out of improvisation. Pushing the record button, and finding myself singing a melody and lyrics or playing guitar riffs that were born because of that decision to just do it, sink or swim, is a gift to be cherished. James Seaborn and I have always shared that reverence for the truth, however painful it may seem at times [haha] So, it has been fun to share this wonder with Paul L. Clark, and the other members of the Smirky Waters Band!"
- George Bertok (Secret Woodpile Sessions)


Comment from Bridget Foley
Collaborator, Composer, Vocalist extraordinaire:

Bridget FoleyBridget Foley photo in studioBridget Foley behind a MICBridget Foley at the MIC

"This is the first time that I have ever been a part of something so completely unfiltered. Because I was given the freedom to create as I was moved to, my songs were able to push past my ego, my self, and become whatever it was to become throughout this collaboration.
That freedom to create awakened a musical side to me that I could never really put my finger on before. As the music moved through me, I was amazed by how I was transformed/transported to a meditative state of relaxation and openness.
I trust that you will feel it too.
Honest, raw, meditative, unguided and unfiltered.
That is what I call this Smirky Waters creation.
"
- B. Foley (numerous & ongoing)


Comment from Rico Fama
Collaborator, Composer, Guitar, Synth:

Rico Fama photoRico Fama photoRico Fama photo youngerRico Fama photo old black & white

"I believe that music is an organic process ... if it isn't ...you are not doing it right!"
- Rico Fama (numerous & ongoing)


Comment from Michael Hoepfner
Collaborator, Composer, Bass Guitar, Binaural Recordings:

Michael Hoepfner photo as a kidMichael Hoepfner photo in high schoolMichael Hoepfner photo beard & long hairMichael Hoepfner photo today

"In a good band everyone’s part is crucial. Yours may seem like a small part, but without it, the whole thing suffers.
If society were organized like that, what an amazing world this would be.
"
- Michael Hoepfner (Faery Dance)


From New to Review...


 

THE LOOK IN YOUR EYES (single)

THE LOOK IN YOUR EYES - The SMIRKY WATERS Band

 

A little Instrumental Jazz-Fusion Chill, Atmospheric, Ambient, Blues, Psychedelic
with Private eye, Spy, espionage and Crime Drama mood.
SOUNDS LIKE:
B.B King meets Eric Clapton meets Louis Armstrong.
PLAYERS:
James D Seaborn: Guitar, Bass Guitar, Composer
Paul L Clark: Drums, Assorted Percussion, Synth - Horn - Bass, Composer, Mix, Producer, Music Video Editor
Mary Giuffre: Executive Producer

 

Buy THE LOOK IN YOUR EYES uncompressed for an even richer listening experience!

 


 

STEP FIVE (single)

STEP FIVE - The SMIRKY WATERS Band

 

73 multi-layered vocal textures against a blues/funk single chord structure.
A blend of Ambient, Minimalist, and Soundscape elements take the listener on a dark
and intimate journey. One person's exploration of a strong-willed resistance to
Step Five of the Twelve Steps of Personal Recovery.
SOUNDS LIKE:
Laurie Anderson meets George Clinton's Parliament meets Frank Zappa's ingenious compositions flavoured by a childish gambino-esque groove.
OFFICIAL LEGAL DISCLAIMER:
The Fifth Step has been included in this composition with permission of Alcoholics Anonymous World Services, Inc.
A.A.W.S. does not necessarily agree with the views expressed herein.
Additionally, while A.A. is a spiritual program, A.A. is not a religious program.
PLAYERS:
Kenny DesChamp: Lyrics, Vocals, Vocal Mix, Composer
James D Seaborn: Guitar, Composer
Al Perry: Percussion, Bass Guitar, Composer
Paul L Clark: Percussion, Glockenspiel, Composer, Mix, Producer
Mary Giuffre: Executive Producer, Music Video Editor

 

Buy the ABBEY ROAD STUDIOS Mastered version for an even crazier listening experience!

 


 

Some Go Down (single)

Some Go Down - The SMIRKY WATERS Band

 

This is a very cool, beautifully haunting southern swamp blues piece much in the sense of Ry Cooder.
With the creative harmonica styling of Al Black, the bad ass fiddle plucking (like a banjo) of the irreverent Michael Beynon, the skilled pie plate fingernail scratching of Paul L Clark (also percussion) and the smooth suggestive Bass Guitar grace of Michael Hoepfner well, you just have to hear it. Paul is a certified & licensed Drone pilot who shot and edited the video footage.

 

Buy SOME GO DOWN uncompressed for an even moodier listening experience!

 


 

The Secret Woodpile Sessions (album)

Buy ALBUM or SINGLES uncompressed for a rich listening experience!

Click to LISTEN & BUY on the platform of YOUR CHOICE

 

CD Cover The Secret Woodpile sessions

The FULL ALBUM. The Secret Woodpile Sessions
James Seaborn: Guitar, Composer
Paul L Clark: Percussion, Composer, Lyrics, Mix, Producer
Bridget Foley: Vocals, Composer
Rico Fama: Guitar, Synth, Composer
George Bertok: Bass Guitar, Mellotron, Composer
Michael Hoepfner: Bass Guitar, Composer, Biraural Recordings
Mary Giuffre: Executive Producer

CD Cover: SOMETIMES I

Album Single:
Sometimes I featuring Bridget Foley
Bridget Foley: Vocals, Composer
James D Seaborn: Guitar, Composer
Paul L Clark: Percussion, Composer, Lyrics
Rico Fama: Guitar, Orchestra, Composer

CD Cover: Faery Dance

Album Single:
Faery Dance featuring Bridget Foley.
Bridget Foley: Vocals, Composer
James D Seaborn: Guitar, Composer
Paul L Clark: Percussion, Composer, Lyrics
Michael Hoepfner: Bass Guitar, Composer

CD Cover: Take Us To The Heart

Album Single:
Take Us To The Heart featuring Bridget Foley.
Bridget Foley: Vocals, Composer
James D Seaborn: Guitar, Composer
Paul L Clark: Percussion, Composer

CD Cover: Cosmic Healers

Album Single:
Cosmic Healers.
Paul L Clark: Percussion, Vocals, Juice Harp, Composer, Lyrics
Bridget Foley: Vocals, Composer
James D Seaborn: Guitar, Composer

CD Cover: Wisdom Keepers

Album Single:
Wisdom Keepers featuring Bridget Foley.
Bridget Foley: Vocals, Composer
James D Seaborn: Guitar, Composer
Paul L Clark: Percussion, Vocals, Composer, Lyrics

CD Cover: TRUST

Album Single:
TRUST. A True Story.
James D Seaborn: Guitar, Vocals, Composer
Paul L Clark: Percussion, Hammered Dulcimer, Composer, Lyrics

CD Cover: Ahara

Album Single:
Ahara. Sandscrit for 'Inspiration'.
James D Seaborn: Guitar, Composer
Paul L Clark: Percussion, Composer
George Bertok: Bass Guitar, Composer

CD Cover: The Storm

Album Single:
(We Are) The Storm.
James D Seaborn: Guitar, Vocals, Composer
Paul L Clark: Percussion, Composer, Lyrics
George Bertok: Mellotron, Composer

We're working on new stuff!

Album Single:
Joy Noyz.
Paul L Clark: Percussion, Vocals, Composer, Lyrics
James D Seaborn: Guitar, Composer